Sunday, 30 September 2012

The importance of colour






Remember, as part of your house style, you will need to come up with a colour palette that best reflects the brand of your magazine, appeals to your target audience and represents both in the way that you intend.

Here are some links you might like to check out when thinking about your magazine's colour palette:

http://www.color-wheel-pro.com/color-meaning.html - a useful guide to colours and their connotations

http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/ - a very detailed article, aimed at designers

http://openlearn.open.ac.uk/mod/oucontent/view.php?id=397565&section=1.3.3 - Guidance for creating websites, but with relevant references to using colour to target different audiences


http://www.colourlovers.com/palettes/new/all-time/meta?page=1 - a wide range of colour palettes created by different users for inspiration.

Language and Register: Mode of address

How will your magazine 'speak' to its readers?


Language Registers

There are five language registers or styles. Each level has an appropriate use that is determined by differing situations. It would certainly be inappropriate to use language and vocabulary reserve for a boyfriend or girlfriend when speaking in the classroom. Thus the appropriate language register depends upon the audience (who), the topic (what), purpose (why) and location (where).

You must control the use of language registers in order to enjoy success in every aspect and situation you encounter.

1.      Static Register
This style of communications RARELY or NEVER changes. It is “frozen” in time and content. e.g. the Pledge of Allegiance, the Lord’s Prayer, the Preamble to the US Constitution, the Alma Mater, a bibliographic reference, laws .

2.      Formal Register
This language is used in formal settings and is one-way in nature. This use of language usually follows a commonly accepted format. It is usually impersonal and formal. A common format for this register are speeches. e.g. sermons, rhetorical statements and questions, speeches, pronouncements made by judges,  announcements.

3.      Consultative Register
This is a standard form of communications. Users engage in a mutually accepted structure of communications. It is formal and societal expectations accompany the users of this speech. It is professional discourse. e.g. when strangers meet, communications between a superior and a subordinate, doctor & patient, lawyer & client, lawyer & judge, teacher & student, counselor & client,

4.      Casual Register
This is informal language used by peers and friends. Slang, vulgarities and colloquialisms are normal. This is “group” language. One must be member to engage in this register. e.g. buddies, teammates, chats and emails, and blogs, and letters to friends.

5.      Intimate Register
This communications is private. It is reserved for close family members or intimate people. e.g. husband & wife, boyfriend & girlfriend, siblings, parent & children.

Rule of Language Use:
One can usually transition from one language register to an adjacent one without encountering repercussions. However, skipping one or more levels is usually considered inappropriate and even offensive. 

Source: Montano-Harmon, M. R. “Developing English for Academic Purposes” California State University, Fullerton.

OCR Media Studies - Basic Camera Shots




Remember, the front cover of your school magazine MUST include a mid-shot of your model. This means a shot of them from the waist up, so it's essential that you plan for this when mocking up your layouts and - most importantly - taking your photographs!



Links to useful resources:

Fonts/typography/type face/lettering

These resources should help you denotate and connotate the fonts used by existing media - and , most importantly, choose your fonts for your own magazines carefully, linking them to the overall 'brand' or 'image' you are trying to represent.

Remember, you only really need to choose two fonts that are used throughout your magazine - if you go for many more than this, your magazine will be in danger of looking disorganised and confused!

The first four pages of this pdf file provides a helpful introduction.




Dafont is a popular website for downloading fonts

Click here for an interesting article from an online design magazine

AS coursework: Blog progress check


AS coursework: Your schedule
Monitor your progress against these deadlines – and if you see yourself falling behind, CATCH UP! Record key dates in your diary and work out when and how you will use your independent study periods and homework.

During the course, you’ll be able to see what your teachers think of your blogs here.
Red = We are concerned you are falling behind. If you do not catch up and improve/add to your blog, you are in danger of failing the course.
Amber = You are making satisfactory progress, but there is more to be done to secure yourself the grade you are capable of.
Green = You are on top of your coursework, and are making good progress. Keep up the good work and refer to the comments we have posted on your blog to help develop your coursework even further.

By 5th October
Research into existing media
What are the conventions of a magazine front cover?
What is a school magazine? What are their different purposes and audiences?
Analysis of 2-3 different existing school magazines
Research into target audience
Who is your target audience? (Particular age group/niche if applicable)
Audience questionnaire/interview/focus group etc. – What they want from a school magazine
Results and evaluation of research
Collate your findings and present appropriately
What have you learnt from your research and how will this influence the decisions you make about your school magazine? 
Planning and drafting
Based on your research, develop a clear idea of your brand and your target audience: How will you communicate? How will they be positioned? How will both be represented?
Identify which conventions you will follow and why
Which locations, costumes, props and actors have you considered? Which ones will you use and why?
Mock up layouts and from these, draw up a shooting schedule (include shot list, location, props etc.), ensuring you have permission to take photographs in these locations

By 19th October
Production
Ensure you keep track of photos taken (and selected), problems encountered, decisions made (and altered) etc. and upload evidence. This will form an ongoing 'Behind the Scenes' commentary on your production work (and pick you up LOADS of marks for your evaluation if you do it well!)
What technology/equipment have you used? What have you learnt?
Upload final layouts and explain the denotations/connotations, with reference to magazine conventions

By 2nd November– MAIN TASK (MUSIC MAGAZINE)
Research into existing media
What is a music magazine? What different types exist? Who publishes them? For whom? What are their different purposes and audiences?
Analysis of 3 different existing music magazines
Research into your chosen genre
Which genre(s) have you chosen and why?
What seem to be the conventions of this genre? Who is the target audience?
Who are the main publishers for magazines of this genre? Are there particular conventions that are specific to these types of magazines?
Choose three artists associated with this genre and analyse how each one’s ‘star image’ has been created. How are they represented and how does the target audience relate to them?
Research into target audience
Who is your target audience? (Particular age group/gender percentages/geographical/brands they buy/where they shop/interests/values/etc.)
Audience questionnaire/interview/focus group etc. – What they want from a music magazine

By 16th November
Results and evaluation of research
Collate your findings and present appropriately
What have you learnt from your research and how will this influence the decisions you make about your music magazine?
Planning and drafting
Based on your research, develop a clear idea of your brand and your target audience: How will you communicate? How will they be positioned? How will both be represented?
Identify which conventions you will follow and why
Which locations and actors have you considered? Which ones will you use and why?
Mock up layouts and from these, draw up a shooting schedule (include shot list, location, props etc.), ensuring you have permission to take photographs in these location

By 30th November
Production
Ensure you keep track of photos taken (and selected), problems encountered, decisions made (and altered) etc. and upload evidence ensuring you record evidence (again - an ongoing ‘Behind the Scenes’ commentary - see point above!)
What technology/equipment have you used? What have you learnt?

By 14th December
Production continued
Ensure you keep track of photos taken (and selected), problems encountered, decisions made (and altered) etc. and upload evidence ensuring you record video evidence (an ongoing‘Behind the Scenes’ commentary)
What technology/equipment have you used? What have you learnt?

By 11th January
Production continued
· Ensure you keep track of photos taken (and selected), problems encountered, decisions made (and altered) etc. and upload evidence ensuring you record video evidence (an ongoing ‘Behind the Scenes’ commentary)
· What technology/equipment have you used? What have you learnt?

Upload layouts and explain the decisions you've made and denotations/connotations, with reference to magazine conventions

By 25th January
Production continued
What has your audience said about your finished magazine?
How does it compare to other music magazines on the market?
What have you changed as a result of this? What effect has this had on your finished magazine? Upload any amended layouts and accompanying analysis.

By 8th February
Evaluation
Multimedia evaluation uploaded to include at least three of the following: text, images (screen grabs etc.), hyperlinks to research, video footage, voice-over.


Friday, 28 September 2012

Linking Research and Practice

As promised, some help with making links between research and practice.

Year 12 AS Media Studies


You should, by now, have completed research into comparable texts and a potential audience. You will probably have uploaded annotated magazine covers and contents pages and sample questionnaires/results.


It is now essential that you consider how this research will inform your decision making. 


Here is an example of the way in which you could present your ideas. A table like this one shows that you have made the vital link between your own research and your own practical work.

The observations that you make will, of course, depend on the texts which you have studied so don’t expect them to be exactly the same as those recorded by other students.


Observation
Impact on My Work
Most covers use a single image – often a medium shot, featuring one or two students. They are engaged in either a classroom/extra-curricular activity but a direct mode of address is employed as they look into the camera.
I will follow this convention as I intend to photograph two students and position them centrally. A medium shot will enable me to include the students whilst capturing something of the background.
However, I want the students to seem unaware of the camera and engaged in the activity of film making.
The mise en scene creates a sense of a well-equipped school which promotes dynamic learning. E.g. inclusion of computers/sports equipment.
My inclusion of video cameras has been influenced by this observation. I hope that these connote a sense of creativity as well as suggesting that the school environment promotes active learning with up to date equipment. I will ensure that text referring to the activity anchors the image and makes it clear that the students are engaged in a film making project.


You must try and link your observations about the content and composition of images/ text/audiences with your decision making.


Some useful terms:

Representation ,denote, connote, iconography ,mise en scene, composition, framing, focus, foreground,colour,lighting, background, text, anchors, audience, traditional, contemporary, contrast, extend, complement, convention, follow, subvert, experiment


Sunday, 16 September 2012

Images for Tues p2 lesson

Click on your allocated image to download the jpeg file. When it appears, right click and select 'Save image as...' - then save it to your 'My documents' or USB stick.




Friday, 14 September 2012

Music magazines: Institution and audience research

Music magazines suffer sales decline
Uncut loses 14.2% year-on-year circulation followed by NME and Q as worst-hit music titles in second half of 2011
Uncut magazine cover
Uncut magazine lost 14.2% of circulation year-on-year in the second half of 2011 in a bad period for music magazines. Photograph: Uncut
Q, NME and and Uncut suffered double-digit year-on-year sales declines in another torrid period for the music magazine sector in the second half of 2011.
Every magazine in the sector that reported a year-on-year comparison saw sales decline against the second half of 2010, according to the latest Audit Bureau of Circulations figures for the six months to December released on Thursday.
Uncut magazine was the biggest circulation faller among musicmagazines in the second half of 2011. The IPC Media title shed 14.2% of its circulation year-on-year and 5.6% compared to the first half of 2011, to 62,305.
The magazine's IPC stablemate NME reported a 14% drop year-on-year, to 27,650 sales – a 4.7% decline compared to the previous six months.
Q saw its circulation fall 12.1% year on year, to 77,522. The BauerMedia title remains the second biggest-selling paid-for music magazine despite a 3.5% period on period drop in sales.
Mojo remained the best-selling paid-for title in the music market, with a 0.3% period-on-period lift in sales to 87,555. However, the title fell 7.5% on the second half of 2010.
Mojo's Bauer stablemate, Q, fell 3.6% compared to the first half of last year, to 77,522 – a 12.1% year-on-year decline.
The rock title Kerrang! fell slightly on the period, shedding 2.2% of sales to 42,077 after an impressive first half of 2011. The title fell 2.1% compared to the second half of 2010.
Future Plus's free title Odeon Magazine held onto its position as the biggest title in the film market. Odeon Magazine reported a 3.7% distribution drop compared to the first half of last year, to 179,840 – a 3.4% year-on-year decline.
Empire magazine remains the biggest-selling paid-for film title, despite a 2.3% period on period fall and 3.2% yearly fall in sales, to 167,056.
Empire's rival, Total Film, managed to remain above the 70,000 sales mark with only a 1.3% circulation drop on the previous six months – a 9.9% drop compared to the final half of 2010, to 70,908.

Click below for more interesting articles:
Drop in circulations
The relaunch of 'Uncut'
'Music magazine covers no longer grab me'
A 'pocket-sized' music magazine - now 10 years old and the format clearly hasn't taken off yet!
Closure of 'The Word' 
Criticism of British music magazines - This could offer useful evidence to justify your decision to subvert certain conventions
Magazines will always have a place on people's shelves



School magazine research: Watch out!

You might be finding it difficult to lay your hands on examples of existing school magazines. This, in itself is an interesting media issue for consideration:
Why is this?
What impact has new technology had on print editions of school magazines?
What other technologies are schools using to communicate with their students?
There also seems to be a trend for producing annual, rather than more regular magazines. In that case, are they magazines in the usual sense of the word? What will the frequency of your publication be?
It seems to be easier to find examples of magazines for Independent Schools. Should you, therefore, follow the conventions of these examples regardless of your audience? Or, if you're going to subvert them - Which ones? How? Why?

However, a consideration of these issues won't help you with your actual textual analysis - an essential step if you are going to produce an effective school magazine that follows the generic conventions!

Take care when using the internet to source examples - they are likely to be magazines produced by AS Media Students just like yourselves, rather than live school magazines!

Here are some links to online school magazines which tend to follow the conventions and layouts of print editions:

http://www.hamptonschool.org.uk/The-School/School-Magazines-new.aspx (Check out the regular publications, rather than the annual ones. Notice how they have identified specific target audiences within the school, rather than producing one publication for all students.

http://www.oratory.co.uk/downloads/School%20Magazine/Oratory%20Magazine%20Iss_169%20(Low-res).pdf (An annual magazine)

http://www.nunthorpe.co.uk/our-school/school-magazine (Links to termly magazines produced by this school up to 2009)

http://www.toorakcollege.vic.edu.au/Portals/0/magazine/TheElephant_S01_2012_web%20version.pdf (A magazine produced by an Australian school)

http://www.uhs.org.uk/for-students/school-magazine/ (A regular publication for Uxbridge High School - but like many regular magazines, it feels rather more like a newsletter than a magazine. This might be something you think about during your preliminary)

A beginner's guide to textual analysis

Alan McKee 'A beginner's guide to textual analysis' (2001)

Interesting and useful reading - for both your coursework and the TV Drama Unit.
Enjoy!

Links to AS students' school magazine blogs

Miss Osborne and Ms James's class:

http://nataliesasmediablog.blogspot.co.uk/ - Natalie Elvin
http://mndunkin.blogspot.co.uk/ - Marie Dunkin
http://taylaroostanasmedia.blogspot.co.uk/ - Tayla Roostan
Http://burnsgeorgia.blogspot.co.uk/#!/ - Georgia Burns
http://anniereesasmedia.blogspot.co.uk/ - Annie Rees
http://alevelmediaash.blogspot.co.uk/ - Asher Hall
http://catsasmediacourse.blogspot.co.uk/ - Cat Neal
http://gemmaholmesasmedia.blogspot.co.uk/ - Gemma Holmes
meganleeasmedia.blogspot.com - Megan Lee
http://lilypocokasmedia.blogspot.co.uk/ - Lily Pocock
http://beckaasblog.blogspot.co.uk/ - Rebecca Davis
http://kimasmediablog.blogspot.co.uk/ - Kim Liwag
http://jessicanemethalevelmedia.blogspot.co.uk/ - Jess Nemeth
http://jackballardasmedia.blogspot.co.uk/ - Jack Ballard
http://emilytownsendasmedia.blogspot.co.uk/ - Emily Townsend
http://emilyaugustalevelmedia.blogspot.co.uk/ - Emily August
http://phoenixasmedia.blogspot.co.uk/ - Charmaine Jackson
http://hayleysigristbeaverwood.blogspot.co.uk/ - Hayley Sigrist
http://laurayoungmediax.blogspot.co.uk/ - Laura Young
http://jinkxjonesmediaas.blogspot.co.uk/ - Harriet Jones
http://paigearnold1.blogspot.co.uk/ - Paige Arnold
Ms Davies and Mrs. Baker's class:

http://stanleymediacoursework.blogspot.co.uk/ - Stanley Amoah
http://jessicamarkhamasmedia.blogspot.co.uk/ - Jess Markham
http://gabsasmedia.blogspot.co.uk/ - Gabriel Adedoyin-Robinson
http://liamdillonmedia.blogspot.co.uk/ - Liam Dillon
http://ayla-as-media.blogspot.co.uk/ - Ayla Murray
http://sheridenhazellmedia.blogspot.co.uk/ - Sheriden Hazell
http://chloemediaas.blogspot.co.uk/ - Chloe Ghaznavi
http://abbieboormanasmedia.blogspot.co.uk/  - Abbie Boorman
http://rachelmcallenasmedia.blogspot.co.uk/ - Rachel McCallenhttp://georgiasascourseworkblog.blogspot.co.uk/ - Georgia Dalton

Wednesday, 5 September 2012

Checklist for Media Coursework


Checklist for ‘A’ Level Media Coursework

ALL

All blog addresses must be submitted via a central hub and contain links to all production work
Blogs must be meaningful and reflective
Have a look at the exemplar work at http://ocrmediastudies.weebly.com. Be honest and realistic when reflecting on your own construction work and planning improvements
Evaluations must make creative use of digital technology (E.g. A director’s ‘Making of…’ documentary for music video or commentary recorded over main task or, at the very least, include screen grabs and not text only)
Evaluations must address issues of institution (e.g. publisher and distribution) and audience in detail

AS
Do not spend time on School Magazine at the expense of the Music Magazine – preliminary task is not marked
Magazines must have a distinct house style – e.g. lettering, colour scheme
At least 4 original images – NO FOUND IMAGES AT ALL
To achieve Level 4, photographs must include more than one band/artist and a range of mise en scene
Pages must be set up as correct size
Photoshop for front covers only
Indesign must be used for contents pages and DPS


Coursework deadlines



Bridging unit task: Peer evaluation

Go to http://beaverwoodmediabridgingunit.blogspot.co.uk

Click on the link to at least one other students' blog and read their work in detail. Use the mark scheme below to help you evaluate the work he/she has completed and post at least one comment, identifying three 'What went wells' and one 'Even better if...' 

Be positive - but also honest! What mark would you award this bridging unit and why? What mark would you award your own bridging unit and why?

Marking Criteria / Assessment Method
 (0-7 marks)
  • Research and planning evidence will be incomplete
  • Minimal level of detail in written annotations/summaries/analyses of media texts
  • Minimal level of care in the presentation of work
  • Minimal skill in use of ICT
  • Minimal understanding of issues of representation
  • Minimal ability to refer to what you have done/learned
  • Minimal ability to communicate

(8-11 marks)
  • Research and planning evidence may be partially incomplete 
  • Annotations/summaries/analyses are basic
  • Basic level of care in the presentation of work
  • Basic skill in use of ICT
  • Basic understanding of issues of representation
  • Basic ability to refer to what you have done/learned
  •  Basic ability to communicate
(12-15 marks)
  • Research and planning evidence will be complete
  • Annotations/summaries/analyses are detailed and show good understanding
  • Good level of care in the presentation of work
  • Proficient skill in use of ICT
  • Proficient understanding of issues of representation
  • Proficient ability to refer to what you have done/learned
  • Proficient ability to communicate

(16-20 marks)
  • Research and planning evidence will be complete; excellent level of detail
  • Annotations/summaries/analyses are very detailed and show excellent understanding
  • Excellent level of care in the presentation of work
  • Excellent skill in use of ICT
  • Excellent understanding of issues of representation
  • Excellent ability to refer to what you have done/learned
  • Excellent ability to communicate